Oooh, let’s take a moment to talk about semicrystalline and ontology!
At first I kinda dismissed them as really weird music that I couldn’t get into no matter how I tried. But then after speaking to a friend, I begun looking at the albums in a different light. This analysis is gonna delve into heavy LB spoilers, so don’t look unless you know the secret of the world.
As a contrast to all of the comparatively upbeat Little Busters! albums, these two paint the exact opposite picture. Like comparing the common route to refrain, they’re both two sides of the Little Busters! world. Specifically, I think ontology and semicrystaline were trying to portray a message of a “fake world”, filled with despair. Try listeningto the opening track of Semicrystaline, Tonica, followed by the Little Busters! remix.
It starts with some distorted effects, and a lot of happy voice samples from the common route calling out to Riki. Then it cuts out “This world has a secret.” It’s as if it’s recalling happier times, before the truth of the world became apparent. The track progresses and the dialogue in the background gets increasingly serious, until Rin is crying out about how she can’t deal with the reality. And it ends with Riki promising to become stronger. (now that I think about it, those lines by Riki, I don’t think they were actually spoken in the VN. Did they get some extra samples from Tamiyasu for this album?) And then, cue the semicrystaline remix of Little Busters! It sounds familiar, but the way it’s remixed feels somehow perverted, like it’s not quite right. To me, this is like an opening to Refrain. Then the rest of the tracks that follow in the album depict a fake world that’s lost it’s warmth. After adopting this interpretation, I really started to appreciate the semicrystaline album for what it is. I’ve found it’s great cathartic listening when you’re in a dark place. Ontology expands on the theme of a ‘fake world’, and has some interesting remixes, but Semicrystaline definitely feels like it has a lot more integrity and meaning in its composition.
Wow, I’ve never really analysed music at such depth before
If you check out this MAD here, it perfectly conveys what I’m getting at with the whole semicrystaline album. (Spoilers inside, I only unspoiled it because you can’t spoiler tag links properly.)