Ah just finished it. This was my second time reading planetarian, and I have to say while it was almost just as emotional, I feel very different about it this time. I guess this could be could be considered part 1 of my thoughts, feelings, discussion, etc. Since we decided to extend the bookclub, I plan on rereading it and doing an in depth analysis by means of tearing every single line apart with speculation. But these are just my “original”/general thoughts:
“Even now, the rain still continued to fall.”
The first time I read this, I remember almost seeing the story from what I might call Yumemi’s view. I had a had to keep reminding myself that Yumemi was not human, even though she continually said: “I am a robot.” I remember being in awe of the world and the setting, but feeling distant from it, like Yumemi must have.
This second time, I related completely with Junker. I really felt the pain that he had experienced every day, trying to survive in such a broken world. It felt like the Rain was bearing down on me exactly how he described it. This time, Yumemi started out as just a robot to me. In most cases she reminded me of a child, in her innocent and inquiring nature. But just as Junker for some reason slowly grew more and more attached to her, I felt the same way. @Pepe’s thoughts about how Yumemi, despite being the only nonhuman, is the only one with a soul, really makes sense to me.
One of the most memorable moments, (again pertaining to the fact that I really related to Junker) was when the stars first appeared. The first part is the enormous satisfaction from working so hard to fix the projector for several days. But I can never figure out why, despite having seen the starts myself thousands of times, I find that moment to be so awe-striking. (“Gentle Jena” in the background probably is part of it) Obviously, to Junker, having never imagined this projection thing could ever be so incredible and having never seen the stars before, this moment must have been like the only one beautiful thing in his world. And indeed, it changed his life, so much so that he wanted to spend the rest of his life showing everyone this amazing scene.
One of Key’s very common themes also shows up here: the town. I won’t go into depth about towns in other Key VNs, but I think the so called “sarcophagus city” plays an important role that could be easily overlooked. First off, its emptiness represents the what the entire world had become: lonely and devoid of any reason to exist. But this one foresaken town completely changes Junker’s philosophy and entire life. To use Pepe’s analogy again, he comes in as a shell, but he leaves with a soul.
And finally, is the matter of “Key magic.” Most people seem to say (including myself in previous posts) that planatarian sticks out from the rest of Key’s VNs because it has no supernatural factor, usually at the end, commonly known as “Key magic.” But I would now argue that planetarian does contain Key magic, just not at the end and not in the usual manner. In planetarian, the Key magic has already happened before the story starts: it is the series of coincidences that bring Junker and Yumemi together. First, the fact that Yumemi still exists after 30 years: the power still runs through the town because of military backup generators just happened to be left there; and somehow, no other junker got there first and pillaged the planetarium as Yumemi for her parts. Then Yumemi, who only wakes up for less than a week a year, just happens to be awake when Junker just happens to wander into that certain town. As Junker puts it, “The very fact that she was functional in this day and age was something close to a miracle.” And to quotes Kanon: “It’s called a miracle because it doesn’t happen.”
(I was originally going to put a comparison to another character/story in this post, but I decided to move it to its own as not to overload a single post too much.)